Art Practice.
I create hand-drawn geometric artworks that explore structure, perception, and the relationship between simplicity and complexity.
Using fineliners, technical pens, pencils, a compass, and a ruler, I construct each composition line by line through a slow and deliberate process. Every work is developed entirely by hand, allowing precision, repetition, and material presence to become integral parts of the final piece.
The drawings emerge from simple geometric systems that gradually evolve into intricate structures. Small variations in proportion, density, and repetition generate rhythm, depth, and optical movement, creating compositions that shift as they are observed over time.
I work primarily in monochrome [black and white], occasionally incorporating metallic gold or reflective materials to introduce subtle changes in light and perception. The choice of paper plays an equally important role. Smooth, textured, velvet, and reflective surfaces each influence how a drawing is experienced, adding another layer to the interaction between the artwork and the viewer.
While the visual language is rooted in geometry, my interest lies beyond mathematics itself. I am fascinated by how simple rules can produce unexpected complexity, and how carefully structured forms can create moments of ambiguity, movement, and discovery.
The works invite sustained observation. What may initially appear precise and controlled gradually reveals depth, tension, and visual complexity. Rather than prescribing a specific interpretation, I create spaces for perception to unfold, allowing meaning to emerge through attention, curiosity, and time.
